Gardens of Love and the Limits of Morality in Early Netherlandish Art

4 Ina Kok and Cis van Heertum, Woodcuts in Incunabula Printed in the Low Countries, 4 vols. (Houten, Netherlands: Hes & De Graaf, 2013), 1:123–25. 5 Kok and van Heertum, Woodcuts in Incunabula, 1:124. 6 Leeu printed three editions of ...

Gardens of Love and the Limits of Morality in Early Netherlandish Art

In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson demonstrates how garden imagery defined bodily desire as a fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.

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Gardens of Love and the Limits of Morality in Early Netherlandish Art
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In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson demonstrates how garden imagery defined bodily desire as a fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.
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