This book brings back to light an initial moment in the difficulty and resulting critical misfortune of sculpture in art historical writing by focusing on the early historiography of medieval Italian sculpture, from fourteenth-century ...
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Language: en
Pages: 300
Pages: 300
There is a widespread belief in art historical studies that sculpture is a much more 'difficult' form of art than painting--difficult to make, but also hard to come to terms with, that is, hard to observe and to describe, talk and write about. As a matter of fact, both scholars
Language: en
Pages: 383
Pages: 383
Fourteenth-century Europe was ravaged by famine, war, and, most devastatingly, the Black Plague. These widespread crises inspired a mystical religiosity, which emphasized both ecstatic joy and extreme suffering, producing emotionally charged and often graphic depictions of the Crucifixion and the martyrdoms of the saints. This third volume in the Art
Language: en
Pages: 1264
Pages: 1264
Author and award-winning scholar-professor Fred Kleiner continues to set the standard for art history textbooks, combining impeccable and authoritative scholarship with an engaging approach that discusses the most significant artworks and monuments in their full historical and cultural contexts. The most widely read and respected history of art and architecture
Language: en
Pages: 511
Pages: 511
Text and the accompanying illustrations offer an overview of Medieval art and life.
Language: en
Pages: 677
Pages: 677
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general